I don’t know why but I felt slightly
sad when I heard this week that Edd China, the towering mechanic from Wheeler
Dealers, has left the show due to ‘artistic differences’. Having watched the
show from the very beginning, over the years I came to see him as a sort of
sage mentor offering me insight and tips to help me avoid tragic issues when
fettling my classic.
Apparently, Velocity, the new
producers, want fiddle with the format dumbing down the technical bits because
they’re difficult and time consuming to film. This decision made regardless of
the fact that these segments are the most enjoyable element of the
show. Especially to those who actually like cars and are watching in active,
learning mode.
Apparently this change is due
to the continued success of the programme where it has grown from niche cable
viewing with a mainly UK audience, to one which is shown all over the world. Talk about being a victim of one's success but it’s probably been brewing for a while.
Such a shame. I can now see becoming over dramatised and
awkwardly edited to accommodate multiple US advert breaks. It will become
littered with engineered incidents and replete with unnecessary dramas,
imaginary deadlines and overblown cliff-hangers. Just look at shows like Sin
City Motors or Fast N’ Loud as examples of that type of format. Oh dear…
I also suspect that more emphasis will
go onto Mike Brewer as the cheeky British chappie that the Americans seem to
like so much.
As for me, I prefer the depiction of
an Englishman; King of his shed fettling his motor, attending to the
details and stoically doing the job properly. That, alas, was Edd’s former
role.
The new boy is Ant Anstead a
well-respected car restorer who will no doubt do an excellent job of the resto’s. However,
it’s sure we’ll see less of him and his socket set than we’re used to. That’s
probably one of the main reasons I’ll watch: to see the difference. Who knows,
it might be like when they change Dr Who: awkward for a while then you don’t
notice the difference. I doubt it though.
Wheeler Dealers is the Daddy of car
restoration shows TV. Well before this format became the vogue, Mike and Edd have
been buying cars, doing them up and flogging them on effectively defining the tone
and content of these types of show. It mattered not that cockney geezer Mike often buys cars of dubious
quality and doesn't pay Edd a penny in labour to offset the profits.
Over the years they've done up many
cars and have progressed from car-lot lemons to high-end motors as their
budgets and popularity have increased. Although they have flexed the
format over time, the main USP in this show was we saw the restoration being work done in
useful detail. And in that role Edd’s
stature grew from backroom boy to greasy-gloved co-host to the benefit of the
show to my mind.
I can honestly say I've found Edd's various advices useful as he tackled the oily fingered problems that Mike
failed to spot on his buying journeys. In doing so, he has offered some
genuinely useful hints and tips when dealing with complex engineering issues.
So, if we no longer find Wheeler Dealers
to our taste, what are the alternatives?
Here’s my view of a couple of rival shows that might fill the void.
For the Love of Cars
Channel Four gave this a Sunday night
'Top Gear' airing slot perhaps because they assumed there was a population of
blokes going cold turkey for some petrol-head action whilst this other troubled show was is off the air . To my mind, this is done to good effect. As required by the format there's
a technical/none-technical duo the former being Philip Glennister, who banters with grease monkey Ant Anstead whose
job it is to find rare and interesting motors to do up and flog.
The dynamic is a bit different in this
format as Glennister doesn't do a great deal of the heavy lifting but gets to
drive the cars, meets experts and owners and narrates interesting background
info' about the chosen motors.
Ant tends to buy the cars and required parts and remains locked in his garage to do the work only emerging to go to various suppliers as the car work progresses and as part of the final triumphant drive of the gleaming results. There is some technical detail but not much.
Ant tends to buy the cars and required parts and remains locked in his garage to do the work only emerging to go to various suppliers as the car work progresses and as part of the final triumphant drive of the gleaming results. There is some technical detail but not much.
Overall, the format works well.
There's some genuine passion from all involved and the quality of the resulting
motors is high meaning they fetched eye-watering prices when sold at auction in
the final show. Now Anstead has jumped ship I wonder if series three will ensue
– with Edd perhaps!
Car SOS
A few years ago, someone in the
Channel 4 organisation thought they'd invoke the classic car zeitgeist by
offering another, more philanthropic, programme format. In this effort, they
try to pull at our heartstrings by secretly stealing the neglected classics of
various people who have had bad luck, do them up in secret and conclude the
show with a big emotional reveal to the (hopefully) astonished owner.
Again, it's a two-man effort with Tim
Shaw as the roving parts procurer and Fuzz Townshend as the man with the
spanners. Luckily, both are competent and likeable and we do get to see some
involving engineering that appeals to the hard-core petrol head.
Glossing over the fact that what
you're witnessing might be defined as a managed TWOC 'ing or the equivalent of
breaking into a house and decorating it, the show does try to take us
through the process of restoring, finding parts and doing authentic, good
quality work on some interesting and rare cars. It even uses some very creative
ruses to cover up the 'crime' and get the clueless owners in situ for the final
unveiling.
As they are now getting on for nearly
100 cars restored, hopefully this means Channel 4 have faith in the format and
will continue to produce it.
It’s interesting that Channel 5 have also had a few goes at this format. They’ve
offered, The Classic Car Show, The Cars That Made Britain Great and the woeful
Classic Car Crisis. None have hit the
mark to my mind and have not achieved any longevity. However, Channel Five
Executives do note, if you fancy another go, there’s a tall, TV seasoned mechanic
recently come available. Just a thought…
Here’s
to the new!
So it’s so long and thanks to Edd for the time
being. I’m sure another format will be developed for us to enjoy his informed
ministrations and, as long as the classic car zeitgeist remains strong, I hope there’ll be a production company willing to develop and commit the necessary
resources to provide what we really want: good engineering coverage delivered
in an amiable and generous fashion.